Because everyone was like, we found Boogie.” “From that moment there was just insane energy in the building. I was like, you need to get on tape today,” Huang says.
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The guy’s not going to learn how to play basketball in six weeks. “I said, look, you’ve been working on basketball with the person we cast to play Boogie, but you and I both know it’s not happening. Takahashi was responsible for training the actor originally cast to play “Boogie.” During pre-production in New York, Huang raised the idea of casting Takahashi - who’d never acted before - in the lead role. So I started to mentor him, and I invited him to cook with me.” He really embodied the character and a lot of the interests and values that I had. Not only that, but because of how big a part of his life basketball was, he encountered a lot of street culture.…He didn’t focus on education like a lot of other Asians. “There were not many Asian Americans that could play basketball at the level that he plays at. He is the all-time leading scorer at Alameda High School ,” Huang says. “I met Taylor nine months before we even started casting the film. He was Huang’s personal assistant and recreational basketball league teammate Taylor Takahashi. The most viable option wasn’t even in the casting pool, or pursuing a career in the arts. “The pool of age-appropriate Asian American male actors that can also play basketball is very small,” Huang says. Which led to his biggest hurdle in making “Boogie”: finding someone to realistically play the titular character. “It’s also an arena where Asians seem to be disadvantaged, or at least not expected to do well in.” Basketball was always the spine of my life as an adolescent,” Huang says. And that’s also how I got close to my father we bonded over basketball we communicated through basketball. “My biggest, most important life lessons, were learned on the basketball court. While he made a name for himself in the food world, Huang’s first love was basketball. “Baohaus was my way to tell my family story.” “I started telling my story through bao,” he says. While he had his sights on the big screen from a young age, Huang’s foray into the entertainment industry came through food, specifically through his popular downtown New York restaurant Baohaus, which closed last year. “I told myself that one day I would like to make a film that makes another kid like me feel less alien as well, and that he can talk about these things.” “It made me feel less alien, and it made me feel less alone,” he says. He realized that film could be an outlet to talk about difficult issues - for Huang, domestic violence. “Boogie” was a film Huang had been wanting to make since he first saw “Goodwill Hunting” as a 17-year-old in Orlando, Fla.
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And I really wrote ‘Boogie’ in the wake of that experience, watching my life become this TV show that I had no connection to.” “The issue was that ‘Fresh Off the Boat’ really stripped the story, the Asian immigrant story, of a lot of pain and struggle. “That book became a show that I didn’t love, and wasn’t the most proud of, because it didn’t go all the way,” Huang says.
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He wrote the script in the aftermath of the TV series adaptation of his memoir “Fresh Off the Boat.”
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Huang, who is also an attorney, then promoted the petition organized by People’s First NYC and Youth Against Displacement, which claimed de Blasio bribed Chu and MOCA with $35 million.“They sit on boards, they talk about community, they take money, but never put it back in the community.” These are the types of Asian Americans who have been taking money to sell our neighborhoods out from under us,” Huang wrote. A post shared by Eddie Huang “ is paying the Chus and Moca to operate as a shield for his dirty work.
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